http://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&feed=atom&action=historyArt Crowdfunding in the MENA region, Friend or Foe? - Revision history2024-03-29T06:00:34ZRevision history for this page on the wikiMediaWiki 1.24.1http://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4749&oldid=prevMie: Wording2016-04-26T07:50:43Z<p>Wording</p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Alongside Morocco and Iran, the MENA region also includes Algeria, Bahrain, Egypt, Iraq<del class="diffchange diffchange-inline">, Israel</del>, Jordan, Kuwait, Lebanon, Libya, Mauritania, Occupied Palestinian Territory, Oman, Qatar, Saudi Arabia, Syrian Arab Republic, Tunisia, United Arab Emirates, and Yemen within its boundaries. Within this group is the Gulf Cooperation Council (GCC states) which includes all the Arab States of the Persian Gulf excluding Iraq, namely, Saudi Arabia, United Arab Emirates Qatar, Kuwait, Bahrain and Oman. This group are also identified as the richest countries in the MENA region. A brief outline of the history of the trade in the Middle East includes the historically significant Incense, Silk and Spice Routes, as well as the Trans Saharan Route, which linked the region with the rest of the world overland, while the Middle East has also historically been involved in international maritime trade [Fig.2.].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Alongside Morocco and Iran, the MENA region also includes Algeria, Bahrain, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Mauritania, Occupied Palestinian Territory, Oman, Qatar, Saudi Arabia, Syrian Arab Republic, Tunisia, United Arab Emirates, and Yemen within its boundaries. Within this group is the Gulf Cooperation Council (GCC states) which includes all the Arab States of the Persian Gulf excluding Iraq, namely, Saudi Arabia, United Arab Emirates Qatar, Kuwait, Bahrain and Oman. This group are also identified as the richest countries in the MENA region. A brief outline of the history of the trade in the Middle East includes the historically significant Incense, Silk and Spice Routes, as well as the Trans Saharan Route, which linked the region with the rest of the world overland, while the Middle East has also historically been involved in international maritime trade [Fig.2.].</div></td></tr>
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</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4610&oldid=prevMie: edit2015-07-13T16:19:15Z<p>edit</p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==== '''Overview of Crowdfunding''' ====  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==== '''Overview of Crowdfunding''' ====  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Crowdfunding is a relatively new phenomenon  to take off in the Middle East and North Africa (MENA) region, which extends from Morocco in the west to Iran in the east, and it is as yet difficult to ascertain its full impact [Fig.1.]. The impact of crowdfunding in other parts of the world such as the USA and UK, where it is somewhat more established, can be used as a model from which to study the potential pros and cons and to work out whether crowdfunding can be seen as friend or foe in the MENA region itself. This <del class="diffchange diffchange-inline">paper </del>aims to illustrate how art crowdfunding differs in the MENA region when compared to the USA and UK.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Crowdfunding is a relatively new phenomenon  to take off in the Middle East and North Africa (MENA) region, which extends from Morocco in the west to Iran in the east, and it is as yet difficult to ascertain its full impact [Fig.1.]. The impact of crowdfunding in other parts of the world such as the USA and UK, where it is somewhat more established, can be used as a model from which to study the potential pros and cons and to work out whether crowdfunding can be seen as friend or foe in the MENA region itself. This <ins class="diffchange diffchange-inline">research </ins>aims to illustrate how art crowdfunding differs in the MENA region when compared to the USA and UK.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The economical and political implications behind the struggle of developing crowdfunding in the MENA region, particularly in the context of the art world of that region, will also be considered, alongside other factors that affect the development and rise of this phenomenon. [http://crowdsociety.shoutwiki.com/wiki/Motivations_of_Crowdfunding Crowdfunding] itself can be defined as is the practice of funding projects by eliciting capital investments from a considerable number of investors, typically through online forums.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The economical and political implications behind the struggle of developing crowdfunding in the MENA region, particularly in the context of the art world of that region, will also be considered, alongside other factors that affect the development and rise of this phenomenon. [http://crowdsociety.shoutwiki.com/wiki/Motivations_of_Crowdfunding Crowdfunding] itself can be defined as is the practice of funding projects by eliciting capital investments from a considerable number of investors, typically through online forums.  </div></td></tr>
</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4571&oldid=prevWikidoctor at 11:20, 21 May 20152015-05-21T11:20:02Z<p></p>
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</table>Wikidoctorhttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4331&oldid=prevMie at 17:16, 6 May 20152015-05-06T17:16:23Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Fig. 8. Diego Velasquez, Las Meninas, 1656, Museo del Prado, Madrid. From Museo Nacional del Prado, online gallery. Retrieved 27 April 2015 from https://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-family-of-felipe-iv-or-las-meninas</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Fig. 8. Diego Velasquez, Las Meninas, 1656, Museo del Prado, Madrid. From Museo Nacional del Prado, online gallery. Retrieved 27 April 2015 from https://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-family-of-felipe-iv-or-las-meninas</div></td></tr>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Video 1. The Square (2013) documentary - director Jehane Noujaim</ins></div></td></tr>
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</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4292&oldid=prevMie at 11:49, 6 May 20152015-05-06T11:49:29Z<p></p>
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</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4291&oldid=prevMie at 11:48, 6 May 20152015-05-06T11:48:29Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Retrieved 27 April 2015 from http://www.imdb.com/title/tt2486682/  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Retrieved 27 April 2015 from http://www.imdb.com/title/tt2486682/  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">To watch a full version of 'The Square' please view the video below (video1.).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Retrieved from Youtube,  6th of May 2015.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{#ev:youtube1tmZSKquMRw}}</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4081&oldid=prevMie at 16:16, 4 May 20152015-05-04T16:16:34Z<p></p>
<table class='diff diff-contentalign-left'>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 16:16, 4 May 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Historical Timeline =====  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Historical Timeline =====  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In order to consider the significance of this claim for the global art market, it is worth briefly outlining the models for funding for art as they have evolved over time. In the early modern period, private patronage was the key way in which art commissions were both obtained and funded. A group of wealthy private individuals had the sole power to select artists, set the parameters of the commission itself, determine timelines for completion as well as to dictate costs and funding. A prime example of this can be seen in the context of <del class="diffchange diffchange-inline">[[Medici_patronage_and_Florentine_political_and_cultural_life|</del>renaissance Florence, when the [http://crowdsociety.org/index.php/Medici_patronage_and_Florentine_political_and_cultural_life Medici]<del class="diffchange diffchange-inline">, </del>an Italian family<del class="diffchange diffchange-inline">]] </del>of merchants, bankers, rulers, patrons and collectors who dominated the political and cultural life of Florence from the fifteenth century to the mid-eighteenth century, involved themselves in commissioning works of art for the city and their private palaces [Fig.6.].  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In order to consider the significance of this claim for the global art market, it is worth briefly outlining the models for funding for art as they have evolved over time. In the early modern period, private patronage was the key way in which art commissions were both obtained and funded. A group of wealthy private individuals had the sole power to select artists, set the parameters of the commission itself, determine timelines for completion as well as to dictate costs and funding. A prime example of this can be seen in the <ins class="diffchange diffchange-inline"> </ins>context of renaissance Florence, when the [http://crowdsociety.org/index.php/Medici_patronage_and_Florentine_political_and_cultural_life Medici<ins class="diffchange diffchange-inline">,</ins>] an Italian family of merchants, bankers, rulers, patrons and collectors who dominated the political and cultural life of Florence from the fifteenth century to the mid-eighteenth century, involved themselves in commissioning works of art for the city and their private palaces <ins class="diffchange diffchange-inline"> </ins>[Fig.6.].  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[File:figure 6.jpg|400px]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[File:figure 6.jpg|400px]]</div></td></tr>
</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4080&oldid=prevMie at 16:11, 4 May 20152015-05-04T16:11:16Z<p></p>
<table class='diff diff-contentalign-left'>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 16:11, 4 May 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Historical Timeline =====  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Historical Timeline =====  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In order to consider the significance of this claim for the global art market, it is worth briefly outlining the models for funding for art as they have evolved over time. In the early modern period, private patronage was the key way in which art commissions were both obtained and funded. A group of wealthy private individuals had the sole power to select artists, set the parameters of the commission itself, determine timelines for completion as well as to dictate costs and funding. A prime example of this can be seen in the context of [[Medici_patronage_and_Florentine_political_and_cultural_life|renaissance Florence, when the Medici, an Italian family]] of merchants, bankers, rulers, patrons and collectors who dominated the political and cultural life of Florence from the fifteenth century to the mid-eighteenth century, involved themselves in commissioning works of art for the city and their private palaces [Fig.6.].  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In order to consider the significance of this claim for the global art market, it is worth briefly outlining the models for funding for art as they have evolved over time. In the early modern period, private patronage was the key way in which art commissions were both obtained and funded. A group of wealthy private individuals had the sole power to select artists, set the parameters of the commission itself, determine timelines for completion as well as to dictate costs and funding. A prime example of this can be seen in the context of [[Medici_patronage_and_Florentine_political_and_cultural_life|renaissance Florence, when the <ins class="diffchange diffchange-inline">[http://crowdsociety.org/index.php/Medici_patronage_and_Florentine_political_and_cultural_life </ins>Medici<ins class="diffchange diffchange-inline">]</ins>, an Italian family]] of merchants, bankers, rulers, patrons and collectors who dominated the political and cultural life of Florence from the fifteenth century to the mid-eighteenth century, involved themselves in commissioning works of art for the city and their private palaces [Fig.6.].  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[File:figure 6.jpg|400px]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[File:figure 6.jpg|400px]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Fig. 6. Benozzo Gozzoli, The Three Magi, 1459, La Capella dei Magi, Palazzo Medici, Florence.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Fig. 6. Benozzo Gozzoli, The Three Magi, 1459, La Capella dei Magi, Palazzo <ins class="diffchange diffchange-inline">[http://crowdsociety.org/index.php/Medici_patronage_and_Florentine_political_and_cultural_life </ins>Medici<ins class="diffchange diffchange-inline">]</ins>, Florence.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>(Members of the [[Medici_patronage_and_Florentine_political_and_cultural_life|Medici family]] are included in the entourage). From Mediateca di Palazzo Medici Riccardi ‘The wall paintings of Benozzo Gozzoli: ‘The Procession of the Magi’.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>(Members of the [[Medici_patronage_and_Florentine_political_and_cultural_life|Medici family]] are included in the entourage). From Mediateca di Palazzo Medici Riccardi ‘The wall paintings of Benozzo Gozzoli: ‘The Procession of the Magi’.</div></td></tr>
</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4079&oldid=prevMie at 16:09, 4 May 20152015-05-04T16:09:04Z<p></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
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<tr style='vertical-align: top;'>
<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 16:09, 4 May 2015</td>
</tr><tr><td colspan="2" class="diff-lineno">Line 143:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>In a more positive light, crowdfunding offers artists, as well as investors, from the MENA region an increased independence, as well as an increased awareness of what is going on in the art world. As seen above, a number of GCC countries are investing heavily in the arts with the view to becoming global art hubs. By facilitating public participation in the art world through crowdfunding, these countries may demonstrate their support and understanding of the concept of modern and contemporary art – itself a relatively new concept in the region. Connected with this, a number of GCC countries have forged an agreement to create a certain number of museums and methods of supporting the arts by 2030. This means that the success of crowdfunding may depend on the agreement of a united group of countries in the MENA region, rather than individual countries, which could cause problems unless all the members wish to accept the changes to political policy which crowdfunding may entail. Crowdfunding also bears a connection to the idea of international recognition that the MENA region is becoming increasingly modernized and liberalized, and potentially more democratic.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>In a more positive light, crowdfunding offers artists, as well as investors, from the MENA region an increased independence, as well as an increased awareness of what is going on in the art world. As seen above, a number of GCC countries are investing heavily in the arts with the view to becoming global art hubs. By facilitating public participation in the art world through crowdfunding, these countries may demonstrate their support and understanding of the concept of modern and contemporary art – itself a relatively new concept in the region. Connected with this, a number of GCC countries have forged an agreement to create a certain number of museums and methods of supporting the arts by 2030. This means that the success of crowdfunding may depend on the agreement of a united group of countries in the MENA region, rather than individual countries, which could cause problems unless all the members wish to accept the changes to political policy which crowdfunding may entail. Crowdfunding also bears a connection to the idea of international recognition that the MENA region is becoming increasingly modernized and liberalized, and potentially more democratic.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''<del class="diffchange diffchange-inline">Research conducted by </del>Mie Al-Missned'''  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[http://crowdsociety.org/index.php/Medici_patronage_and_Florentine_political_and_cultural_life </ins>'''<ins class="diffchange diffchange-inline">Author : </ins>Mie Al-Missned'''<ins class="diffchange diffchange-inline">] </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Bibliography =====</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Bibliography =====</div></td></tr>
</table>Miehttp://crowdsociety.org/index.php?title=Art_Crowdfunding_in_the_MENA_region,_Friend_or_Foe%3F&diff=4076&oldid=prevMie at 16:02, 4 May 20152015-05-04T16:02:52Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 16:02, 4 May 2015</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>As seen in the case of Aflamnah and Zoomaal, crowdfunding is offering a new platform through which the MENA region can explore other forms of equity. These platforms are opening a new economic cluster, which has both advantages and disadvantages which is connected with the discussion here of whether art crowdfunding in the MENA region can be considered friend or foe. Within the MENA region, political roadblocks have historically hindered trade in general. By opening a crowdfunding platform, the MENA region would need to create a number of policies to facilitate such projects, as with the 2012 Obama legislation in the USA. Connected with this is the fear that crowdfunding for the arts would not be controlled, meaning that the arts would become more liberalized and uncensored, which in the case of highly political or sexual issues, would provoke the more conservative forces within the MENA region. In this case, the governments may wish to maintain stricter controls on the projects and their funding.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>As seen in the case of Aflamnah and Zoomaal, crowdfunding is offering a new platform through which the MENA region can explore other forms of equity. These platforms are opening a new economic cluster, which has both advantages and disadvantages which is connected with the discussion here of whether art crowdfunding in the MENA region can be considered friend or foe. Within the MENA region, political roadblocks have historically hindered trade in general. By opening a crowdfunding platform, the MENA region would need to create a number of policies to facilitate such projects, as with the 2012 Obama legislation in the USA. Connected with this is the fear that crowdfunding for the arts would not be controlled, meaning that the arts would become more liberalized and uncensored, which in the case of highly political or sexual issues, would provoke the more conservative forces within the MENA region. In this case, the governments may wish to maintain stricter controls on the projects and their funding.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>In a more positive light, crowdfunding offers artists, as well as investors, from the MENA region an increased independence, as well as an increased awareness of what is going on in the art world. As seen above, a number of GCC countries are investing heavily in the arts with the view to becoming global art hubs. By facilitating public participation in the art world through crowdfunding, these countries may demonstrate their support and understanding of the concept of modern and contemporary art – itself a relatively new concept in the region. Connected with this, a number of GCC countries have forged an agreement to create a certain number of museums and methods of supporting the arts by 2030. This means that the success of crowdfunding may depend on the agreement of a united group of countries in the MENA region, rather than individual countries, which could cause problems unless all the members wish to accept the changes to political policy which crowdfunding may entail. Crowdfunding also bears a connection to the idea of international recognition that the MENA region is becoming increasingly modernized and liberalized, and potentially more democratic.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>In a more positive light, crowdfunding offers artists, as well as investors, from the MENA region an increased independence, as well as an increased awareness of what is going on in the art world. As seen above, a number of GCC countries are investing heavily in the arts with the view to becoming global art hubs. By facilitating public participation in the art world through crowdfunding, these countries may demonstrate their support and understanding of the concept of modern and contemporary art – itself a relatively new concept in the region. Connected with this, a number of GCC countries have forged an agreement to create a certain number of museums and methods of supporting the arts by 2030. This means that the success of crowdfunding may depend on the agreement of a united group of countries in the MENA region, rather than individual countries, which could cause problems unless all the members wish to accept the changes to political policy which crowdfunding may entail. Crowdfunding also bears a connection to the idea of international recognition that the MENA region is becoming increasingly modernized and liberalized, and potentially more democratic.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Research conducted by Mie Al-Missned''' </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Bibliography =====</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===== Bibliography =====</div></td></tr>
</table>Mie